Not so "Ok Jaanu".

Half month of Jan had passed and was not so happy about the fact that there was no movie to watch, but finally that kinda changed yesterday, when Ok Jaanu released. First Bollywood movie of this year, which I was very excited about.

So basically Ok Jaanu is the remake of a Tamil movie O Kadhal Kanmani by Mani Ratnam, but this one directed by Shaad Ali, who gave us films like Saathiya and Bunty aur babli. P.S: Saathiya was also a remake of Mani Ratnam’s film, which I loved so that got me on my toes to watch this one ASAP.

Anyways coming back to Ok Jaanu, the film begins with a very ordinary and obvious sight of Ladka (Adi) and Ladki(Tara) catching a glimpse of each other and some spark occurs, then later on they again end up meeting, then flirt then some more meeting then some love and it goes on to that old school new rule, love is ok but we have goals and no shaadi and all haa but yaar phir wohi story, pyar, ikraar aur shaadi and dragged scenes of frustration and anger, but in all these apparent scenarios, the only positive bit was that they don’t leave their aspirations behind.

 Naseeruddin Shah and Leela Samson are seen in fabulous supporting roles of Gopi uncle and Charu aunty respectively. At certain moments I actually wished that the movie were about them, the love, the inspiration they portray in every frame is beyond just playing a character in the film, their scenes literally leave you with the feeling for wanting more of them. Kitu gidwani plays the role of Tara’s single mother. And of course there is more supporting caste of Adi’s brother and his family and their friends and bosses.

The movie certainly makes you fall back in love with the city of Mumbai, captured beautifully by Ravi K Chandran. Be it the old world charm of the South Bombay with the buildings, temple, Sea view, Gopi uncle’s stunning house or the lifelines of our city Buses, trains and cabs. It makes you want to get out and live those carefree days again. Major portions are shot in Gopi Uncle’s house, and the house has such a beautiful feel to it, with that view, you surely want to own one like it, all thanks to Sharmishtha Roy, the production designer. The paintings, the plates, the wooden furniture, every detail is portrayed well. The last wedding scene shot on the terrace of the house is like a cute rustic wedding, which you surely wouldn’t mind opting for in today’s crazy world.  Even the Ahmedabad bits and portions are so divine, with A.R Rahman’s music, love it absolutely. Costumes of the film are handled by designer and stylist Eka Lakhani.

Let’s begin with talking about Shraddha Kapoor, our heroine who plays the role of Tara. Young, independent girl living in Mumbai who has her roots from a different town altogether. Her wardrobe consists of everything with a touch of edgy boho chic. From wearing pants, shirts with suspenders to dungarees to wearing ethnic cotton embroidered tops and dresses and some semi formal jackets, and a traditional suit for her Ahemdabad scenes like every other girl she had her everyday choice of clothing according to her mood and also had a few misfits and everything was not just perfect.

She also sported some basic tartan shirts with skirts and shorts and also regular t-shirts with midi skirt. Her famous mirror embellished shorts from the humma song with black shirt was totally a girl next-door vibe. She paired her outfits with regular sneakers, heels and brogues as footwear and that vintage leather bag pack which was constant through out. Her hairstyle and very minimal makeup, overall worked great for her. For her wedding scene I think she was wearing a red lehenga from Anita Dongre, which was beautiful but that hairstyle and that waist chain was a complete put off with such a pretty lehenga.

Adi was also a regular boy, just moved into Mumbai, with a basic wardrobe. Round neck tees to basketball shorts to simple jeans to cargo shorts and laidback lose henleys worked great for him. He had his orange watch and a few wristbands continuous as his accessories. He was seen in basic sneakers and flipflops as well. His hairstyle was simple and fuss free which was some times supported with a cap. He was also seen in a white kurta pajama for a few sit down dinner scenes, which is rare to see now days.

We get a touch of Gujarat when he wears that semi sheer Bandhani shirt with buttons open for Humma song, which kind of looks sexy on him. Overall our boy looks attractive in the film except for certain scenes where suddenly he is seen in really long t-shirts, which just makes him look so broad, and turns him into a weird giant.

My favourite characters of the film had great costumes as well, especially gopi uncle who looked perfect in those organic ikat fabric and textile shirts in earthy colors, layered with maroon, grey and teal t-shirts and pants. I guess it was all-natural for him, being In those clothes, his salty hair and beard, with that body language, all perfect. He looked great in the all cricket sweater outfit as well, reminding us well of a perfect retired life.

His wife Charu aunty who plays the role of former classical singer in the film and is quite evident, be it her perfect silk border saris, chanderi silk and cotton printed kurtas or detailed angrakha kurtas with that long salt and pepper tresses. She is also seen in those khadi kaftan nightgowns, which defines elegance and beauty in a rustic manner.

Adi’s side of the family is seen in a few scenes in very regular shirt, pant and Nehru jacket for the brother and bhabhi in solid mix and match kurtas. Tara’s mother on the other hand is seen in crisp pinks and greens saris portraying her character well. Other friends are also appropriately dressed as per their characters living in urban city.

Overall there was a great vibe in the costumes and were organic which is quite rare to see now a days in Indian cinema. The movie was surely not worth the wait and not an awesome way to start 2017. Let’s hope for better films, and guys don’t forget to come back tomorrow for XXX’s costume review.

Happy Weekend.

Love,

Cine Closet.